Statement

My work combines visual elements from my childhood with kitsch elements of pop culture to influence the viewer’s perception of the past and address escapism through false, idealized memories. Following the start of the pandemic, I began to stray away from depicting the figure as the focus of my work and started to lean on trinkets as my subject of choice. We place value in ordinary, mundane objects. Personal objects can hold significant meaning where they serve as a reminder and are nostalgic, or they serve as an enabler for our imagination to take over and urge escapist desires. I’ll admit it, I paint a lot of toys. Not only do they serve as an extension of my personality, but they are objects that I have found a nostalgic comfort in. However, there is a certain blurriness to all the fond memories I have, and I try to echo that surreal quality in my paintings as if everything I have experienced thus far has had an impact on shaping these selective memories. My saturated color palette mimics the vibrancy of commercial advertisements, comics, memes, film, and other saturated images that I have been bombarded with. The fact that I am regurgitating all of these as influences creates an ambiguous feeling where my work can be dreamlike, funny, or even dark. With my classical training, I aim to pay homage to the past through the physical process and techniques of painting, while adding my own contribution to the conversation through my use of color and my tendency to paint unorthodox subjects.